An Acme Review 
This rate and review is offered in the spirit of assistance. Please feel free to ignore any, or all suggestions. This is your work, and I'm just happy to have had the chance to review it! 
This is a review on behalf of "Invalid Item" and
Thank you for mentioning that you are editing. As per the contest rules posted in the forum, no editing is meant to take place once an item has been submitted as judges can review at any time from posting to deadline. This does not mean the validity of your entry is compromised, only that this review may have been drafted and stored before the contest end and certain editing suggestions made may no longer apply. Please contact me if you have any further queries regarding this
This is a great start to what promises to be an exciting, action-led thrilling story and I look forward to its completion. Already evident are flashes of good descriptive prose that add to the plot and develop character. I particularly enjoyed this:
Marcus returned to admiring her house. The pop of burning wood in a fireplace, then soft humming of a sweet voice to a song he used to know well, reached his ears. A feather-like pang shot through his chest and he growled the sensation away as he stomped up to the little house’s door.
As you are editing, I won't point out all typos, grammar and punctuation errors, but will note a few instances in the text where you might want to concentrate your future efforts 
He knew why he had come to Chicago. The growing city he had not seen in six long years. Six years since her, the witch who had haunted his dreams every dark night. She had haunted his very soul, plagued his very being all these years. Now, he was here for her. Here to take his revenge for what she did to him years ago. She was in the city. He knew she was her, because it was the last place he had seen the witch. Exactly to this night was the last time he had seen her. Your opening line and paragraph is there to hook the reader and draw them into your storyworld, so it pays to take time in revising and editing it to its best advantage. Starting with action is always a good hook, so maybe concentrate on where abouts he's standing in Chicago, show the cold, show the haunted look, etc. Showing not telling will also help you rid yourself of redundant words, like 'had'. Once past-tense has been established, 'had' becomes an indication of a place where you can widen your vocabulary and show a lot more to the reader.
“I’m s-sorry, m’lord, M-master Marcus.” Jacob stammered. a comma is used at the end of speech, before the closing quotation mark, when your tag goes on to explain who was speaking, or how they were speaking. In this instance, Jacob's stammer is self-evident in the dialogue, making the tag redundant. When only two characters are present and speaking, there is little need to add a tag, unless it is an action tag that corresponds with the dialogue.
Marcus smirks as he catches the scent he was looking for. Stupid witch, you should have known better than to have bonded with a vampire. He laughed softly. Try to maintain tense, to that your reader isn't jolted out of your storyworld. Also, many modern authors indicated internal thought via italicized text:
Marcus smirked as he caught the scent he sought. Stupid witch, you should have known better than to have bonded with a vampire. He laughed, softly.
“Marcus! What are you doing?!” Corvina’s eyes widened when she saw that he is taking her to her barn. Only one end line punctuation mark is needed. As the excitement is established in the first sentence of dialogue and the ensuing tag, I suggest you retain the question mark and remove the extraneous exclamation mark.
There are some large paragraphs of back story given as information. These info-dumps are useful as you are crafting your early drafts, but by the time you finish editing you may want to ensure that they have all been turned either into more active pieces of writing (show, not tell), plot and character development via dialogue, or omitted altogether.
This was his last moments on earth. 'These were his last moments', or 'This was his last moment...'
When you ask a reader to suspend their belief and accept the authenticity of your fictional story based in historical past, be sure not to jolt them out of that time and place by using phrases that would not have been used at the time, such as this one:
The smoke around them didn’t bug him.
 Thank you for sharing your work! Write on and take care
** Images For Use By Upgraded+ Only ** |
|