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An entertainments manager from hell! |
| Bert by Tim Parker âYou said turn right, then left, not left, then right!â said Erika, âNow we are at a dead end. Iâm fed up with driving, you can driveâ, and with that she stopped the car and got out, slamming the car door behind her. Keep her calm I thought, gotta keep her calm, and I slid clumsily into the drivers seat, banging my knee against the hand-brake, the gear-stick, and then the steering wheel. She got in the passenger side, folded her arms, and glared out the window. It had a been a long drive, five hours in fact. From the Suffolk coast to the West Sussex coast. Most of the time weâd been stuck on the M25. The radio weatherman had announced with glee that it was one of the hottest days on record, and it was going to get hotter. We were a musical entertainment duo, travelling from one Holiday camp to another as a cabaret act. Erika sings and dances, and I play guitar and keyboards. That nightâs venue was a new one to us, and now we were lost, and running a little late. It was through an agent, so we had a proper contract and all that. âPass me over the contract, its in the glove compartmentâ I said. âThereâs usually a venue contact âphone numberâ. And there was. So anyway, I give them a ring and a woman answers. Sheâs the cleaner at the club she tells me. I tell her who we are, and the name of the road weâre in. Luckily the holiday camp is just two minutes away. âOff we goâ I say, and Erika just hurrumphs! â âWe are so close, it shouldnât take longâ. We find the holiday camp situated right behind a large industrial estate. The main club was built in the early Fifties and carefully designed to look like a big grey square block reminiscent of World War 2 anti-tank defences. We park the car and walk into the main hall which was freshly painted - thirty years ago - in institution green, itâs large enough to house a jumbo jet or two. There is no air conditioning or ventilation, and the heat is stifling. The room stinks of stale sweat and stale beer. A blue haze of smoke drifts lazily towards the high ceiling, and hangs there defiantly, trying to form its own micro-climate. We approach the stage. Its huge, it could easily hold a full size orchestra, plus another jumbo jet. We mark out where to set up our equipment, then the we unload the car and lug the gear onto the stage. and start setting up. (2) A scruffy little bald man jumps up on to the stage as though he owns the place. Heâs wearing round wire framed glasses, (the lenses look like the bottom of Coke bottles), and a suit thatâs probably the one he was given when he was demobbed. He was a funny shape too, he looks like a beach-ball. He was whistling a vaguely familiar tune. âWhich one of you singsâ he shouts. âIâm the singerâ Erika replies. âOh God, not another bloody female vocalist. If thereâs one thing I canât stand, itâs bloody female vocalists, they all sound the same to me, and none of them can singâ he says to Erika. âBy the way, Iâm Bert, Iâm the clubsâ Entertainmentâs Manager.â We just stare at him What can you do? If you upset him, he will do all in his power to destroy your performance. And... heâs got that power. Heâs in charge of the in-house PA, the lights, performance times, and ultimately he pays you at the end of the night. We did what we always did in these types of situations. We carried on with setting up, treated his comments as a joke, and smiled sweetly, thinking of the cash in our hands at the end of the night. Bert pointed to a door at the back of the stage. âThatâs your dressing roomâ he said, and in a vague imitation of John Cleeseâs funny walk, strutted away. We opened the door, clicked the light switch, but nothing happened. We repositioned one of our footlights and wedged the door open with a fire extinguisher. There.... now we could see into the dressing room. Dressing room! It was more like a dressing cupboard! It consisted of three empty beer barrels, and an overflowing ash tray. On a small table there was a variety of glasses containing discoloured cloudy liquids, with some very interesting fungal growths on top. âYou always said stick with me, and youâd show me some cultureâ. Erika quipped. The floor was âcarpetedâ with old posters advertising long gone entertainers. A triangular shard of mirror glass defied gravity and clung on to the wall, as did the plaster in some places. There was nowhere to hang our stage clothes. Hereâs the fame and glamour at last I thought! (3) A previous entertainer had scribbled under the mirror: âGOOD LUCK ! YOUâLL NEED IT !â As we were getting changed the door burst open, no knock, no nothing, just straight in. Bert looked a little disappointed, perhaps he was hoping to find Erika in a state of undress. âNeed to see your set list for the nightâ he commanded. This is standard practice, so clubs can avoid playing your set list songs during the interval. Itâs a kind of a courtesy thing. I passed it over for inspection. He shook his head and tutted as he read it. I asked him what was wrong. âNone of these songs suit a bloody female vocalist do they? all they do is screechâ he replied. We continued to smile sweetly. I was feeling rather proud of Erika, she continued to be professional, and refused to rise to the bait. As he left she sweetly muttered under her breath, âBastedâ. We waited in the stage wings and watched as Bert climbed up some steps to a raised podium next to the stage Bert switched on the in-house PA system and proceeded to play every song he could from our set list. He sat like a prison guard, watching over us and the audience. I kept expecting him to switch on a searchlight and train a machine gun on individual club members. I climbed up the steps to Bertâs watchtower and I asked him what time did he want us to start. âNow, and by the way I know it says on your contract you only play forty five minutes for the first set, but thatâs a typing error, you do an hour and a half, then take a break...OK?â So began the first set. During our performance music would every now and again burst out through the in-house PA, and Bert would hold up his hands to us in a gesture of apology. On two occasions all the stage lighting went off and we floundered around in complete darkness until Bert realised heâd âinadvertentlyâ pushed the wrong switch. The audience were more concerned with drinking heavily than taking any notice of us. We completed our first set and I asked Bert how long the break was before the second set. âFifteen minutes or soâ he said. (4) We went to the crowded bar to get a cold drink. I was standing next to a radiator and realised it was on full. I mentioned it to a man standing next to me. âYeah, itâs broken, canât turn the dam system off. Itâs one of the items on the agenda for the committee meeting next monthâ The combination of the weather and the heating was making the atmosphere intolerable. Bert played âShoutâ by Lulu, our next set opening number, then announced- âLadies and Gentlemen, would you put your hands together and welcome back your entertainment for this evening.â We hadnât had time to get a drink, so pushed our way back through the crowd to the stage. âThat wasnât more than five minutesâ I said. âI canât be bothered to play any more tracksâ replied Bert. âWhen do we take our next break?â I asked. âYou donât have another breakâ âBut thereâs another hour and three quarters to goâ I complained. âYeah, tough at the top innate?â Bert said with a smirk. We staggered on to the stage for the second set. After an hour and a half weâd both taken our shoes off and Erika was beginning to sound like Barry White. Bert just sat in his watchtower grinning. One hour and fifty minutes later we finished. We were desperate just to sit down and rest our aching feet. As I switched our PA off and put my guitar down, Bertâs voice boomed from the in-house PA- âWerenât they great! Would you like another couple of songs?â Two very drunk blokes in the audience half-heartedly shouted âmoreâ, in case Bert unleashed the Dobermans. We chose two of our shortest songs, increased the tempo on the keyboard and cut the endings. A two hour set straight through. We came off stage hot, bothered, and aching. We sat on the beer barrels in the âdressing roomâ and both lit a cigarette. We knew there had to be an easier way to make a living, but couldnât quite think what it was. (5) Bert went into overdrive, screaming through a radio mike at the club members who still had a drink in front of them. âWell over time, down it in one now or Iâll take it!â Bert turned his beady eyes on us. âCome on come on! You havenât got time to sit around, I pride myself on clearing the club in ten minutes, and being locked up in twentyâ âYes...â I thought to myself, âI wouldnât mind seeing you locked up in twenty.â We wearily left the âdressing roomâ and packed the gear away. Bert stood in front of us, rattling his keys and whistling the same tune as before. I recognised it now; it was the theme to âThe Great Escapeâ. It took us fifteen minutes to pack up and load the car, much to Bertâs displeasure. He looked at his watch, tapped it, put it to his ear, looked at us and sighed. He started muttering, and pacing up and down. âIâll lock the car up whilst you do a quick idiot check on the stageâ I said to Erika. âI can easily find oneâ Erika said under her breath. âWhat the hell are you doing now!â Bert shouts at Erika. âWe just wan have a quick look and make sure we havenât left anything behind, if thatâs OK with youâ she replies. âWell it bloody isnâtâ said Bert. âIâve already put the alarm system on, so goodbyeâ. âER... we havenât been paid yetâ I said. âOh I canât sort that out now, Iâve locked all the tills in the safe. Give me a ring tomorrow and Iâll post you a chequeâ. The door banged shut, and we heard the key turn in the lock. I phoned the next day, but there was no answer. I phoned for a week, still no answer. I phoned the agent, he suggested as we were giggling in the same area the next weekend, we should drop by the club and pick the money up. He told me we werenât the first or probably the last act that Bert had done this to. So we left home earlier than usual, intending to call at the club on the way, to try and collect our money. (6) I turned a corner expecting to see the club. The club was gone, as was any hope of ever receiving our money. Just two fire blackened walls remained We discovered the club had caught fire a few hours after we had left. And Bert has not been seen since. To this day, I still wonder if either of us put that cigarette out properly, when Bert dragged us out of the âdressing roomâ to pack the gear away. Ă Tim Parker |